Curatorial

I n f o r m a t i o n

ABOUT

Dr. Paul O'Neill is an artist, curator, educator and writer based in Bristol and New York. He is the new Director of the Graduate Program at Bard Centre for Curatorial Studies, New York. Paul has co-curated more than fifty exhibition projects across the world including: The Curatorial Timeshare, Enclave, London (since 2012); Last Day, Cartel Gallery, London (2012); Our Day Will Come, Part of Iteration: Again, Hobart, Tasmania (2011); We are Grammar, Pratt Institute, Manhattan Gallery, New York (2011); Coalesce: happenstance, SMART, Amsterdam (2009); Making Do, The Lab, Dublin (2007); General Idea: Selected Retrospective, Project, Dublin (2006); Tonight, Studio Voltaire, London, (2004); Are We There Yet? Glassbox, Paris (2000) and Passports, Zacheta Gallery of Contemporary Art, Warsaw (1998). He has held lecturing positions on the MFA Curating, Goldsmiths College, London and Visual Culture at Middlesex University amongst others. He currently international research fellow with the Graduate School of Creative Arts and Media, Dublin, and international tutor on the de Appel Curatorial Programme. 

His practice is interested in addressing the systems of interpretation that are involved in making sense of the world around us and the compulsions that lead to interpretation and meaning itself. His work explores the experience, of traversing territory, of moving across things rather than patrolling boundaries. This exploration may take a number of media, appoaches and forms, from curatorial projects and art-making, to discursive events, writing or lecture presentations. Paul explores notions of exhibition-making as a form of collaborative artistic practice with multiple actors and agencies at work together.

Between 2007-10, he was the (GWR) Research Fellow in Curating and Commissioning Contemporary Art with Situations at the University of the West of England, Bristol (www.situations.org.uk), where he directed the international Research Programme Locating the Producers. He completed his PhD at Middlesex University in 2007, where he examined the emergence of Curatorial Discourse since the late 1980s. Between 2001-03, he was gallery curator at London Print Studio Gallery, where he curated group shows such as Private Views; Frictions; A Timely Place...Or Getting Back to Somewhere; All That is Solid and solo projects: Being Childish Billy Childish; Phil Collins Reproduction Timewasted; Harrowed: Faisal Abdu’ Allah and Locating: Corban Walker. He was co- director of MultiplesX from 1997-02; an organisation that commissioned and supported curated exhibitions of artist’s editions, which he established in 1997 and has presented exhibitions at spaces such as the ICA, London; Temple Bar Gallery, Dublin; Ormeau Baths, Belfast; Glassbox, Paris and The Lowry, Manchester.

Paul’s writing has been published in many books, catalogues, journals and magazines and he is a regular contributor to Art Monthly. He is reviews editor for Art and the Public Sphere Journal and on the editorial board of The Exhibitionist and The Journal of Curatorial Studies. He is editor of the curatorial anthology, Curating Subjects (2007), and co-editor of Curating and the Educational Turn with Mick Wilson (2010), both published by de Appel and Open Editions (Amsterdam and London), and author of Locating the Producers: Durational Approaches to Public Art (Amsterdam, Vaiz, 2011) edited with Claire Doherty. He recently completed the authored book The Culture of Curating and the Curating of Culture(s), (Cambridge, MASS., MIT Press, 2012). He is currently working on a new anthology Curating Research, edited with Mick Wilson, to be published by de Appel and Open Editions in September, 2013.